There are various ways to watercolour with stamps; the card above was done using a method I often use when I have an outline stamp. I taped the watercolour paper to my work table and brushed water across the whole panel. While still wet I stamped the background stamp then the poppies. I inked the poppy stamp by applying the orange stamp pad to the flower head and a green stamp pad to the stems. Because the paper was still damp the ink bled a little to make a soft edge. With water and matching watercolour pencils I added colour to the petals and the stems, blending and darkening shadow areas. When the paper was almost dry I stamped over the poppies stems and seed pods to give them a bit more definition. Once the paper was completely dry I sponged blue ink in the top left hand corner and green ink in the bottom right hand corner.
Stamps: Damask Pattern, Blooming Garden PB)
Inks: Memento Summer Sky, Tangelo, Cantaloupe, Olive Grove (Tsukineko)
Also: Matching Faber Castell water colour pencils
Cardstock: Fabriano 25% cotton hot pressed watercolour paper
I recently bought a set of Faber Castell gelatos so tonight I had a little play with them. I will try describing how I created this little watercolour collection of tulips but I was experimenting a lot so don’t expect a coherent tutorial just yet. I fiddled with gelato on the stamp, then on the cardstock, then some on an acrylic block mixed with water until I was happy with the watercolour effect. To finish I inked up one side of each tulip on the stamp with a marker then restamped. I redrew the stems, which were looking very pale, with the edge of the gelato. This is just the beginning of my adventures with gelatos so when I am able create an effect more than once I will attempt to share what I have learnt. I sponged the panel ever so slightly round the edge with angel pink then popped it up on the card base.
Have a great weekend. My daughter returns from a tour to Cuba with her violin ensemble tomorrow so we are all looking forward to seeing her and hearing about the trip.
Watercolour and poppies. A combination I love to use. Karen made a lovely watercolour poppy card this week also. Did you see it?
To create this panel I dampened the water colour block with a paintbrush and water, inked the poppy stamp with Memento inks: Bamboo leaves for the stems and Cantaloupe for the blooms and stamped it on the damp paper. The colour bled immediately so I waited a little while before stamping the poppies again in the same place. I then used water colour pencils to fill in the petals and buds before blending the pencil with a paintbrush. The background Summer Sky ink applied with a paintbrush. To paint with ink from a stamp pad I just stamp the pad onto an acrylic block then use a damp brush to pick up some colour and paint it on the panel.
A Mothers’ Day card would definitely fit the bill for the challenge on the Penny Black blog. You can read about it here.
I have a bright spring card today made using a colouring technique which is quick and easy but really pops on coloured cardstock. I stamped the flowers in versamark and embossed in white powder on Summer Sun mix & match cardstock. I used watercolour pencils to add colour to the flowers and leaves. Blending them with water is very simple as it stays contained within the embossed outlines.
Thanks for visiting today.
Stamps: Blooming Garden, Treemendous PB)
Inks: Memento Cantaloupe & Versamark (Tsukineko)
Cardstock: Summer Sun mix & match cardstock
Also: Faber-Castell watercolour pencils, white e.p., orange grosgrain ribbon
The watercolour cards I’ve been making lately have been several layers as I usually create them on a 5″x7″ pad then cut and mat them with co-ordinating cardstock. I recently bought a larger pad of watercolour paper so, for this card, I cut and scored a 4.25″ x 5.5″ card and taped it to my work desk before watercolouring. I taped it to the desk carefully to create the border you see on the card. The card warped slightly due to the watercolouring but, because it was taped down until it was completely dry, the warping is minimal.
I stamped the branch from Blooming garden on the right and the left then masked both branches so I could stamp the branch again between the two branches adding only two more flowers. The flowers are stamped in versafine onyx black which is waterproof so it did not bleed when I started adding the colour. I used watercolour pencils to add pink and purple to all the blossoms and blended it with water. The stems are coloured with two browns, the background with blue. While the paper was still wet I sharpened three pencils over the image dropping slivers and specks of pink, blue and purple pigment onto the damp paper. I spritzed with water too and sat back to watch the bits of pigment bleed colour.
And, I almost forgot to add, this layout was inspired by CAS(E) this sketch #18
The air is feeling a bit spring like around here but with plenty of snow on the ground so I am not really in spring mode yet. This card, however is definitely a taste of spring with its fresh greens and white.
I have used this technique numerous times, usually in either a horizontal or vertical panel. I mask it first then emboss several of the floral images I’ve chosen in clear e.p. Then I stamp the image again in several shades of one colour, filling the space randomly. Next I sponge with the same inks usually leaving an area almost unsponged as this ends up looking like the source of light or some sunlight breaking through clouds. This time I decided to use a torn mask as I sponged to create the appearance of hills. Finally I spritzed some Tsukineko Fireworks spray in Bamboo Leaves which added some droplets and a shimmer. It was my first use of Fireworks spritzers and I think I sprayed a little more than just my card panel!
I have been having fun with watercolour techniques again. My inspiration for this panel came from at some beautiful paintings by Kristy Patterson where she has painted in watercolour over text. Often when I use the letter background stamp I use it only on sections of my panel or collage. This time I stamped it across the whole panel of watercolour paper first in Versafine Vintage Sepia which is waterproof. I switched to Memento inks for the tulips so I could blend the inks with as much water as necessary. My watercolouring method is a little different each time so it’s hard to describe. I started by painting water onto the panel then inking the tulip stamp in green and red before stamping it three times. I immediately blended some of the ink as it bled and pooled but also used red and orange watercolour pencils to add more colour and restamped the tulips a few times too. Once I was happy with the tulips I ran a nautical blue memento ink pad around the perimeter of the panel and immediately used water to pull the ink to surround the tulips.
Maybe you are already seeing tulips where you live; it will be a couple more months before we do!
Stamps: Blooming Garden, Letter Background, Edge to Edge (PB)
Inks: Memento Nautical Blue, Cottage Ivy, Love letter & Versafine Vintage Sepia, Majestic Blue (Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Spring Meadow Mix & Match Papers
Also: Faber-Castell watercolour pencils
This card started with a desire to use yet another of Penny Black’s new background stamps. In the finished product however, that stamp is barely visible. I began by flicking Lady Bug ink onto white cardstock then stamped the background stamp, Dots in space in pink. It was a pale pink and I had wiped off some of the ink before making the impression so it was a very subtle start. Over the dots I repeatedly stamped the blossom branch from Blooming Garden, also in Memento Angel Pink. Next I inked the same blossom stamp with Lady Bug Red and added Rich Cocoa ink to the stems with a marker. I sponged next with the same red and brown and added the sentiment in the space I had left. Adding the sentiment to the panel meant that I did not have anything to add to the card base to make a visual triangle (If you read Susan Raihala’s Simplicity blog you will know what I am talking about) so I punched an oval tucked it under the matted panel and place a small knot of ribbon on top. I didn’t exactly achieve a triangle but I added something to the white space on the right to lead the eye across the card.
I love poppy images so I was excited to see two poppy stamps in the new Penny Black catalog. One is a wood-mounted stamp and the other, shown above, is part of the transparent set, Blooming Garden. I have painted poppies several times with watercolour paints so to try watercolouring with the stamp was my first thought.
I wet the watercolour paper, then stamped the poppy flowers in red and the stems and seed pods in green. The ink immediately ran and I blended and spread it with a brush adding a little more ink here and there with markers. When I was happy with the colour I sponged blue and green around the flowers and started playing with the layout.
It took me a while to come up with the layout you see above as I initially thought I’d mat the panel and put it on a white card base with a sentiment. I tried both portrait and landscape orientations but it wasn’t quite right. So, when in doubt reach for your absolute favourite background stamp! I inked the background with blue and green then added sponging and water droplets in the colours of the poppy panel.
The fun continues with inspiration galore on the Penny Black Blog. They are five days into the 20 consecutive days of inspiration, featuring stamps from the Take Flight catalog! The designers and contributors have LOTS in store for you. And since they’re featuring 20 days of inspiration, they’re also giving away 20 NEW stamps to one lucky reader.
Stamps: Blooming Garden, Letter Background (PB)
Inks: Memento Summer Sky, Cottage Ivy, Lady Bug stamp pads and markers (Tsukineko)
Cardstock: Fabriano 100% cotton hot pressed watercolour paper, Spring Meadow Mix & Match Papers